Return Of The Unknown
A special event to commemorate the centenary of the Armistice.
“How should we remember? We can’t. They are all gone. All we can remember is what they have done, and the peace they gave us, a peace we must hold dear. All we can do is ‘sing the anthem’; tell the story.” Sir Michael Morpurgo, speaking at the launch of Return Of The Unknown.
To mark the centenary of the end of the First World War The Marlowe presents Return Of The Unknown, an immersive journey into the world of remembrance, telling the stories, known and unknown, of the towns and people of our region.
Travel back in time in the unique setting of Dover Marine Station: the place where the First World War ambulances returned, the wounded were tended and the healing began, to the scene of the station’s most momentous return of all – that of one warrior, unknown, who was to become the symbol for a nation’s remembrance.
Drama, music, dance and digital art combine to create this spectacular theatrical experience, made and performed by leading professional artists, and a community company drawn from across Kent, including Ben Roddy. Best known as The Marlowe’s pantomime dame, Canterbury resident Ben will play several characters in the production, drawing on his vast experience across every area of acting.
Return Of The Unknown is an entertaining, moving and thought-provoking event. It’s a unique way to mark this exceptional anniversary: exploring how, why and what we remember, in the place where remembrance began.
You can find more information about Dover Marine Station, (including how to get there and access details) and your Return Of The Unknown experience on our blog.
If you’d like your family’s First World War stories to be part of an exhibit at Return Of The Unknown, the information you need to contact us is up on our blog.
our principal sponsor Pharon Independent Financial Advisers Ltd, our project partner, Port Of Dover and the production sponsors Furley Page, Southeastern and Wilkins Kennedy.
Commission and performance supported by Arts Council England, The Kobler Trust, John Swire 1989 Charitable Trust,
The Samuel Feldman NEC Fund and The Atlas Fund.